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Kamis, 03 November 2011

H.O.T Filems [[Uncensored]] Big Eyes ⚜Premium⚜

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Directed and produced by Tim Burton, BIG EYES is based on the true story of Walter Keane (Christoph Waltz), who was one of the most successful painters of the 1950s and early 1960s. The artist earned staggering notoriety by revolutionizing the commercialization and accessibility of popular art with his enigmatic paintings of waifs with big eyes. The truth would eventually be discovered though: Keane‘s art was actually not created by him at all, but by his wife, Margaret (Amy Adams). The Keanes, it seemed, had been living a lie that had grown to gigantic proportions. BIG EYES centers on Margaret‘s awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work. (C) Weinstein.

About Big Eyes

Artist : Amy Adams, Christoph Waltz, Terence Stamp, Danny Huston, Jason Schwartzman
As : Margaret Keane, Walter Keane, John Canaday, Dick Nolan,
Title : H.O.T Filems [[Uncensored]] Big Eyes ⚜Premium⚜
Release date : 2014-12-25
Movie Code : 1126590
Duration : 106
Category : Drama

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Name : Rafer Guzman / Alias : Newsday
A smart, funny, feel-good film - from Tim Burton? It's his best since "Ed Wood."

Name : Steven Rea / Alias : Philadelphia Inquirer
A wondrously strange true story about art and heartbreak, intellectual property theft, and the subjugation of women.

Name : Claudia Puig / Alias : USA Today
Fascinating, nimbly acted and, an er, eye-opening look at the culture of male dominance of a couple generations past.

Name : Peter Rainer / Alias : Christian Science Monitor
Adams is very good at the difficult art of making passive characters interesting - a gift that stands her in good stead here.

Name : Ty Burr / Alias : Boston Globe
Waltz ham-and-eggs Adams off the screen. In the process, the movie strands her character without an inner life, a psychology, or anything that would indicate what makes her tick.

Name : James Adams / Alias : Globe and Mail
Burton lets his film putter along in middle gear, provoking neither riotous laughter nor emotional immersion.

Name : Wesley Morris / Alias : Grantland
Burton might need to get further from blockbuster bloat in order to regain his formal mastery of kitsch. Right now his sense of comic portraiture is too easily mistakable for splatter painting.

Name : A.A. Dowd / Alias : AV Club
Big Eyes has plenty of surface pleasures, but there was reason to expect more than that from it.

Name : Michael Phillips / Alias : Chicago Tribune
Instead of comic and dramatic provocation, "Big Eyes" settles for a pastel set of emotions lost in a primary color world.

Name : Justin Chang / Alias : Variety
"Big Eyes" doesn't seem to trust either the factual truth or the emotional logic of the dilemma it's showing us.

Name : Stephen Whitty / Alias : Newark Star-Ledger
What matters is, does the artist speak through this work? And does this work speak to you? And "Big Eyes" does. I just wish it spoke louder.

Name : Bill Goodykoontz / Alias : Arizona Republic
The story is just so downright weird that the film can't help but be compelling. Just not as compelling as it could have been.

Name : Richard Corliss / Alias : TIME Magazine
The Keane story is a rich parable that deserves either a wilder or a more acute telling than Burton provides here.

Name : Moira MacDonald / Alias : Seattle Times
Visually inventive, as are all of Burton's movies, "Big Eyes" is pleasant enough to watch; you just wish there were more to it.

Name : Joe Morgenstern / Alias : Wall Street Journal
I watched wide-eyed with dismay while the film turned as lifeless as the paintings.

Name : Peter Travers / Alias : Rolling Stone
For all its tonal shifts and erratic pacing, the film is Burton's heartfelt tribute to the yearning that drives even the most marginalized artist to self expression no matter what the hell anyone thinks.

Name : Inkoo Kang / Alias : TheWrap
"The most human film from Burton since "Ed Wood," this biopic of kitsch painter Margaret Keane (Amy Adams) marks a small but significant artistic growth."

Name : Bruce Demara / Alias : Toronto Star
It dwells in that amorphously ill-defined zone, Dramedyland, a place from whence audiences too often return with a shrug and a vague sense of confusion and disappointment.

Name : Ann Hornaday / Alias : Washington Post
"Big Eyes" is technically and aesthetically attractive.

Name : Todd McCarthy / Alias : Hollywood Reporter
This nimble, bemused, culturally curious look at the married instigators of the kitschy "big eyes" paintings of the early 1960s exudes an enjoyably eccentric appeal while also painting a troubling picture of male dominance and female submissiveness .

Name : Elizabeth Weitzman / Alias : New York Daily News
"Big Eyes" is still a compelling film, well presented and solidly performed by leads Amy Adams and Christoph Waltz. But more weirdness would have done wonders.

Name : Rex Reed / Alias : New York Observer
Nimble, off the beaten track and very entertaining, it's the cinematic equivalent of a lava lamp.

Name : David Edelstein / Alias : New York Magazine/Vulture
Adams is lovely and tremulous, but Big Eyes would be even better if Waltz was in the same key.

Name : Betsy Sharkey / Alias : Los Angeles Times
This portrait of a woman on the verge - of success, of suppression, of submission, of rebellion - is never fully realized.

Name : A.O. Scott / Alias : New York Times
In "Big Eyes," the sincerity of the artist trumps the judgment of the critics, and her vision triumphs over fraudulent promotion. It makes a passionate case for her. Whether it vindicates her art is another question entirely.

Name : Dave Calhoun / Alias : Time Out
Burton lets Waltz run wild, sucking the air out of every scene with his hysterics, and the always-endearing Adams is left looking like a rabbit in the headlights.

Name : Kyle Smith / Alias : New York Post
"Big Eyes" toys with some amusing ideas, and that's enough.

Name : Amy Nicholson / Alias : L.A. Weekly
You can't help but sense Tim Burton nodding in agreement when Walter bellows, "Just because people like my work, does that make it bad?"

Name : Mick LaSalle / Alias : San Francisco Chronicle
Tim Burton fashions the perfect frame around these actors and then lets them fill out this marvelous creation.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Despite its sharp feminist sting, Big Eyes never loses its light touch. Maybe the lesson here is that Burton should venture out of his dark, creepy comfort zone more often.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Throughout his career, Burton has always been capable of surprising audiences. "Big Eyes" is no exception.

Name : James Berardinelli / Alias : ReelViews
A straightforward and mature film with little in the way of overt weirdness.

Name : Ben Sachs / Alias : Chicago Reader
Amy Adams and Christoph Waltz are charismatic in the lead roles; occasionally they distract from the movie's overall smugness.

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Selasa, 17 Januari 2012

Solace Pelis Gratis

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An FBI agent and a psychic doctor combat a serial killer in this supernatural thriller from director Afonso Poyart. ~ Jeremy Wheeler, Rovi

About Solace

Artist : Anthony Hopkins, Jeffrey Dean Morgan, Colin Farrell, Abbie Cornish, Marley Shelton
As : John Clancy, Agent Joe Merriweather, Charles Ambrose, Agent Katherine Cowles, Laura Merriwether
Title : Solace Pelis Gratis
Release date : 2017-12-31
Movie Code : 1291570
Duration : 101
Category : Mistery

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Name : Bernard Besserglik / Alias : Hollywood Reporter
The chemistry [Anthony Hopkins and Colin Farrell] achieve is a powerful argument for giving Solace its chance on the multiplex circuit.

Name : Keith Phipps / Alias : AV Club
Quantum is content merely to be the second episode in what's shaping up to be a viable series, good enough but disappointing for those expecting greatness.

Name : Amy Biancolli / Alias : Houston Chronicle
If you held up your thumb over Daniel Craig's face and took in the mayhem around him, you'd think you were watching The Bourne Simulation rather than the 22nd (and shortest-ever) ode to Ian Fleming's suave government killer.

Name : Amy Nicholson / Alias : I.E. Weekly
Forster is elbowing us to agree that the franchise in his reins is just another spectacle.

Name : Christopher Orr / Alias : The New Republic
Mr. White ultimately leads Bond to one Mr. Slate, who in turn leads him to a Mr. Greene. That's right: The global conspiracy this time around isn't SPECTRE, but some rogue wing of the United Colors of Benetton.

Name : Ray Bennett / Alias : Hollywood Reporter
[An] all-out thriller with few Bond touches but plenty of high-octane action.

Name : Roger Ebert / Alias : Chicago Sun-Times
I repeat: James Bond is not an action hero! Leave the action to your Jason Bournes. This is a swampy old world. The deeper we sink in, the more we need James Bond to stand above it.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film makes such headlong leaps of motivation and locale that it would take a master spy to decipher why Bond is going where he goes and doing what he does.

Name : Stephen Whitty / Alias : Newark Star-Ledger
In the end it's all too fast and too furious - and far too obsessed with exercising its license to thrill.

Name : Anthony Lane / Alias : New Yorker
Quantum of Solace is too savage for family entertainment, but, as a study in headlong desperation, it's easier to believe in than many more ponderous films.

Name : Robert Wilonsky / Alias : Village Voice
If nothing else, there's no need to worry about where Quantum of Solace fits in the Bond pantheon - it's easily one of the worst.

Name : Ben Lyons / Alias : At the Movies
While charm and a quick wit made Connery the best of the Bonds, it's Craig's brute force and Jackie Chan-style stunts that will come to define this latest reincarnation.

Name : Claudia Puig / Alias : USA Today
The stunts are as muscular and the film as handsome to look at as the hero who so ably pulls them off. But the story linking it all together is thin and weak.

Name : Dre Rivas / Alias : Film.com
Go see Quantum of Solace. Not that you weren't going to anyway.

Name : Michael Phillips / Alias : Chicago Tribune
Not every director is well-suited to Bondland. "There's something horribly efficient about you," Kurylenko says to Craig at one point. The same goes for the film.

Name : Richard Corliss / Alias : TIME Magazine
Director Marc Forster turns out to be a natural as the helmer of a high-energy, high-gloss action film.

Name : Joe Neumaier / Alias : New York Daily News
The result isn't bland, but it's not exactly Bond either.

Name : Dana Stevens / Alias : Slate
Forster, a director of upscale tearjerkers, has no feel for action sequences. The big chases, of which there are several, could all be replaced with a title card reading, 'Insert action here'.

Name : Wesley Morris / Alias : Boston Globe
Frankly, Quantum of Solace is just one exasperated dressing down away from being Lethal Weapon 9.

Name : David Ansen / Alias : Newsweek
Quantum of Solace isn't frivolous or cheesy, but it isn't all that much fun either. Craig is still the right guy for the job, but for his boiling-on-the-inside performance to work, he needs more to play with.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Quantum of Solace benefits from imaginatively conceived action sequences and from a director, Marc Forster, who knows how to film them.

Name : Peter Howell / Alias : Toronto Star
There isn't much plot between the action set pieces, and precious little character development beyond Craig's and Dench's continuing evolution.

Name : Ben Mankiewicz / Alias : At the Movies
Mark Forester did a great job.

Name : Rene Rodriguez / Alias : Miami Herald
Quantum of Solace never really engages you in the mechanical but transporting way the best Bond movies do.

Name : James Berardinelli / Alias : ReelViews
This is the least satisfying production since The Living Daylights.

Name : Joe Morgenstern / Alias : Wall Street Journal
Quantum of Solace is a model of mediocrity, even though Daniel Craig gives his all to a production that doesn't deserve him.

Name : Kenneth Turan / Alias : Los Angeles Times
All dressed up with no particular place to go, this 22nd Bond film tries hard but ends up an underachiever.

Name : Wally Hammond / Alias : Time Out
A slightly disappointing, furiously-paced, hi-tech, slash-and-burn sequel to the more leisurely, luxurious first 'reboot', 'Casino Royale'.

Name : Ann Hornaday / Alias : Washington Post
The Quantum of Solace filmmakers have produced a super-serious, often visually incoherent travelogue of revenge and trumped-up angst.

Name : Rex Reed / Alias : New York Observer
Quantum of Solace, the 22nd entry in the interminable franchise, is one of the most pointless, chaotic and forgettable of them all. It is also one of the dullest.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
I mean it as a cockeyed compliment to the reborn Bond franchise, then, when I say that Quantum of Solace is an unnecessarily cramped arena for such an interesting cat.

Name : Roger Moore / Alias : Orlando Sentinel
It fairly races by, a sexy, sadistic, cruel and crackling thriller that is the shortest Bond film since Goldfinger, and certainly the most brisk.

Name : Bill Goodykoontz / Alias : Arizona Republic
Enjoy Quantum of Solace for what it is: a high-octane, winning installment of the Bond series that hits the ground running and never lets up.

Name : Rafer Guzman / Alias : Newsday
The action and eye candy may be worth the ticket price, but this Bond needs to get back to business.

Name : A.O. Scott / Alias : New York Times
Quantum of Solace prompts the question: Is revenge the only possible motive for large-scale movie heroism these days?

Name : David Edelstein / Alias : New York Magazine/Vulture
If the staging were as witty as the plotting, Quantum of Solace might have been a corker like Casino Royale.

Name : Noah Berlatsky / Alias : Chicago Reader
A few years back, the easy sexism and narcissism of the James Bond series looked dated to the point of obsolescence, but Quantum of Solace proves that a revenge motive is just what's needed to rejuvenate all the Bond cliches.

Name : Ben Kenigsberg / Alias : Time Out
Much has been made of the absence of Bond's signature quips, but there's something else that's absent: interest.

Name : Kyle Smith / Alias : New York Post
Revenge is a dish best served with bullets, high explosives and giant rolling flameballs. In Quantum of Solace, James Bond orders the revenge buffet, deluxe.

Name : Lisa Kennedy / Alias : Denver Post
With [this] too-shaken sequel, the Bond market experiences a dip.

Name : Peter Debruge / Alias : Variety
[A] reasonably clever genre entry .

Name : Peter Travers / Alias : Rolling Stone
Quantum of Solace won't trust its own darker instincts. It delivers the popcorn goods, but it ignores the poison eating at Bond's insides. Killer mistake.

Name : Stephanie Zacharek / Alias : Salon.com
Quantum of Solace is best when director Marc Forster allows his star the latitude to explore emotions that, until Craig stepped into the shoes of the character, we didn't know Bond had.

Name : Tom Long / Alias : Detroit News
Forster is indeed a fine director, but he's hardly a specialist in action films, and it shows. He can't quite keep things moving fast enough to speed past the absurdity of the premise.

Name : Tom Maurstad / Alias : Dallas Morning News
The problems can be traced to a screenplay that is stuffed with internecine plot points and shades-of-gray complexities, but little else: no character-sharpening details and none of the wit and charm that buoyed Casino Royale.

Name : Steven Rea / Alias : Philadelphia Inquirer
Quantum - the 22d 'official' Bond picture, 24th including the rogue Bonds - is never less than engaging.

Name : Mark Rahner / Alias : Seattle Times
Marc Forster seems like a counterintuitive choice to direct an action spectacle. But any doubts I might have had flew out the window and splattered onto the hood of a parked car during an early, hellacious brawl.

Name : Derek Elley / Alias : Variety
Stripped of Royale's humor, elegance and reinvented old-school stylishness, Quantum has little left except its plot, which is rudimentary and slightly barmy, in the line of the Roger Moore pics of the '70s and '80s.

Name : Christy Lemire / Alias : Associated Press
Despite his innate intensity, Craig seems a bit. bored, maybe? Underutilized, despite appearing in nearly every frame of the film.

Name : Rick Groen / Alias : Globe and Mail
A silly spy may be laughable, but a sulking thug is just a bore.

Name : Peter Rainer / Alias : Christian Science Monitor
It's ironic: After all these years of surviving everything that has been thrown at him, James Bond is finally being undone by his own team.

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