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Sabtu, 01 Januari 2011

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A con artiist (Will Smith) takes on an inexperienced apprentice in this crime comedy from the filmmaking duo behind Crazy Stupid Love, Glenn Ficarra and John Requa. A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.

About Focus

Artist : Margot Robbie, Will Smith, Rodrigo Santoro, BD Wong, Gerald McRaney
As : Jess Barrett, Nicky, Liyuan, Ownes, McEwen
Title : ⚛ Focus ONline Gratuit Play ⚛
Release date : 2015-02-27
Movie Code : 2381941
Duration : 104
Category : Comedy, Crime, Drama


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Christy Lemire Comment FocusName : Christy Lemire / Alias : RogerEbert.com
Co-stars Will Smith and Margot Robbie remain consistently charismatic, even once the script for this heist caper collapses in a punishing pile of its own twists and double-crosses.
Joe Morgenstern Comment FocusName : Joe Morgenstern / Alias : Wall Street Journal
The film itself comes to feel like a con, thanks to a script that's too clever by two-thirds, and butterfingered in the ways of portraying love.
Adam Graham Comment FocusName : Adam Graham / Alias : Detroit News
Smith's natural charisma has been dulled by special effects bonanzas and/or a desire to play against type. In "Focus," he feels like himself again, and he reminds you why he became one of Hollywood's biggest stars in the first place.
Peter Travers Comment FocusName : Peter Travers / Alias : Rolling Stone
The two stars are dazzling distractions. Robbie is a wow and then some. The Aussie actress shows a comic flair backed up with beauty and steel. Even when Focus fumbles, Robbie deals a winning hand.
Joe Neumaier Comment FocusName : Joe Neumaier / Alias : New York Daily News
In this lame caper, the biggest scam perpetrated is the one that makes audiences think they'll have a good time.
Wesley Morris Comment FocusName : Wesley Morris / Alias : Grantland
[For Smith,] Focus isn't a full return to brilliance but a welcome stop, hopefully, on the way there.
Kyle Smith Comment FocusName : Kyle Smith / Alias : New York Post
It's not that the movie keeps you guessing with its intricacy, it's more like it's making it up as it goes along.
Joe Williams Comment FocusName : Joe Williams / Alias : St. Louis Post-Dispatch
It's yet another reminder that if it's not called "The Sting," you shouldn't get too comfortable with a con-game movie.
J. R. Jones Comment FocusName : J. R. Jones / Alias : Chicago Reader
Smith wears it like a well-tailored suit, and the brisk, snappy dialogue is well delivered by an able cast.
Peter Howell Comment FocusName : Peter Howell / Alias : Toronto Star
We can't say we weren't warned. Will Smith has been telling us not to trust him the entire movie.
Peter Debruge Comment FocusName : Peter Debruge / Alias : Variety
While not quite the "art" it's billed to be, if the perfect con is about diverting one's focus, then this one keeps you distracted till the end.
Barbara VanDenburgh Comment FocusName : Barbara VanDenburgh / Alias : Arizona Republic
Although it brings nothing new to the con-artist fold, or even anything thrilling, "Focus" is a seductive enough rehash that benefits from the built-in pleasures of the trade.
Liam Lacey Comment FocusName : Liam Lacey / Alias : Globe and Mail
Drunk on its perfume-ad cinematography and doesn't know when to quit with its double-double cross plotting.
Cary Darling Comment FocusName : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The story is ludicrous.Yet Focus, Will Smith's mea culpa to moviegoers after the post-apocalyptic tedium of After Earth two years ago, is more breezily enjoyable than it has a right to be.
Peter Rainer Comment FocusName : Peter Rainer / Alias : Christian Science Monitor
This is the kind of movie where we're not supposed to know at any time who is playing whom, but since the characterizations are glossy and paper-thin, it's difficult to get worked up about who gets fleeced.
James Berardinelli Comment FocusName : James Berardinelli / Alias : ReelViews
It does enough things right to earn a recommendation, but there are misfires aplenty for those who care to look for them.
Richard Brody Comment FocusName : Richard Brody / Alias : New Yorker
That sound you hear is the high-fives in the writers' room, and that, unfortunately, is where the filmmakers' focus remains.
Moira MacDonald Comment FocusName : Moira MacDonald / Alias : Seattle Times
Smith and Robbie, both going through the motions, don't click at all, and Robbie in particular has nothing to play.
Colin Covert Comment FocusName : Colin Covert / Alias : Minneapolis Star Tribune
Decent but unremarkable . the kind of movie you see with some pleasure but no dreams of sequels or remakes.
Richard Corliss Comment FocusName : Richard Corliss / Alias : TIME Magazine
The mix of longtime star and minx on the rise is one tasty element in the success of a movie that approaches the modest goals and effortless allure of a 60-year-old Hitchcock.
Andrew Lapin Comment FocusName : Andrew Lapin / Alias : NPR
The second half feels like Ficarra and Requa ran out of ideas and just hit restart.
Todd McCarthy Comment FocusName : Todd McCarthy / Alias : Hollywood Reporter
Unfortunately, since the major characters' salient character traits are insincerity, opaqueness and untruthfulness, it's hard to invest much interest in any of them.
A.O. Scott Comment FocusName : A.O. Scott / Alias : New York Times
Mostly, it is fun to watch Will Smith and Margot Robbie, and to marvel at whatever divine or evolutionary miracle concentrated so much charisma in the two of them.
Tom Huddleston Comment FocusName : Tom Huddleston / Alias : Time Out
A predictably unpredictable tale of conmen and women complete with the industry-mandated quantity of fast cars, short skirts, sharp suits, slippery billionaires and "Oh, it was that guy all along!" plot twists.
Stephen Whitty Comment FocusName : Stephen Whitty / Alias : Newark Star-Ledger
Sexy stars, pretty cities, nice music and some tricky action. If that's a con game, well - I'm happy to be had. And you will be, too.
Amy Nicholson Comment FocusName : Amy Nicholson / Alias : L.A. Weekly
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus' Margot Robbie, a va-va-voom blonde with bite
Chris Nashawaty Comment FocusName : Chris Nashawaty / Alias : Entertainment Weekly
What keeps the film humming along as smoothly as it does is the chemistry and charisma of its leads.
Rafer Guzman Comment FocusName : Rafer Guzman / Alias : Newsday
Like a counterfeit handbag: It looks great but falls apart when you reach into it.
Claudia Puig Comment FocusName : Claudia Puig / Alias : USA Today
At times . Focus resembles a commercial for a pricey brand of liquor, an elite hotel or a luxury car more than a story-driven movie.
Michael Phillips Comment FocusName : Michael Phillips / Alias : Chicago Tribune
Even in a lark about con artists working through their trust issues, we need more.
Ann Hornaday Comment FocusName : Ann Hornaday / Alias : Washington Post
There's much to be said for a film that doesn't overreach, delivers on most of its promises and gets the audience out the door in just over an hour and a half.
Connie Ogle Comment FocusName : Connie Ogle / Alias : Miami Herald
Focus is a shiny, stylish shell game of a film that, much like its protagonists, relies on breezy chatter, a good sense of humor and a lot of misdirection to succeed.
Mick LaSalle Comment FocusName : Mick LaSalle / Alias : San Francisco Chronicle
"Focus" is ridiculous in every detail. It's a movie with no truth, that teaches nothing and shows nothing, that has only its audacity to recommend it.
Ty Burr Comment FocusName : Ty Burr / Alias : Boston Globe
You come out feeling you've been had by well-intentioned crooks who aren't ready for the big show.
Betsy Sharkey Comment FocusName : Betsy Sharkey / Alias : Los Angeles Times
The Hollywood stakes for Smith are as high as they are for the con man he plays. As it stands, "Focus" just might be a game changer.
Randy Myers Comment FocusName : Randy Myers / Alias : San Jose Mercury News
This kind of film needs a punchy right hook to follow up its clever, if outlandish, jab late in the game, and "Focus" doesn't deliver.
Steven Rea Comment FocusName : Steven Rea / Alias : Philadelphia Inquirer
Even if you're willing to forgive its sinkhole plotholes and farthest-fetched conceits, the film - from cowriters/co-directors Glenn Ficarra and John Requa - ultimately makes no sense.
Richard Roeper Comment FocusName : Richard Roeper / Alias : Chicago Sun-Times
Smith and Robbie are terrific together. At various points along the way, he's playing her, and then she's playing him, and then we're almost positive they've let their collective guard down and they're really in love . Or are they?
James Rocchi Comment FocusName : James Rocchi / Alias : TheWrap
Like a perfect cocktail mixes the sour with the sweet and the bright with the boozy, "Focus" combines seamless, superbly-crafted filmmaking with the fizz and fun created by its leads.
Rex Reed Comment FocusName : Rex Reed / Alias : New York Observer
It's beautifully photographed and entertaining, with charming performances by Will Smith and newcomer Margot Robbie that tease and tantalize. You won't be bored.
Lisa Kennedy Comment FocusName : Lisa Kennedy / Alias : Denver Post
It's a shiny, diverting ride. (And right about now, that's OK.)
Ignatiy Vishnevetsky Comment FocusName : Ignatiy Vishnevetsky / Alias : AV Club
Focus' problem isn't that its stars lack charm, but that it's squeezed into tight spaces between protracted explanations of setups, backstories, and twists-a poor example of the every-shot-must-convey-narrative-information school of filmmaking.


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Jumat, 17 Mei 2013

Ver Steve Jobs

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Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.- (C) Universal

About Steve Jobs

Artist : Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Sarah Snook, Katherine Waterston
As : Steve Jobs, Joanna Hoffman, Steve Wozniak, John Sculley, Andrea Cunningham, Chrisann Brennan
Title : Ver Steve Jobs
Release date : 2015-10-09
Movie Code : 2080374
Duration : 122
Category : Biography, Drama


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Kenneth Turan Comment Steve JobsName : Kenneth Turan / Alias : Los Angeles Times
A smart, hugely entertaining film that all but bristles with crackling creative energy.
Michael Phillips Comment Steve JobsName : Michael Phillips / Alias : Chicago Tribune
The movie, a formidable technical and design achievement, has everything going for it except a sense of Jobs' inner life.
Peter Rainer Comment Steve JobsName : Peter Rainer / Alias : Christian Science Monitor
As scathingly played by Fassbender, Jobs looks almost as sleek and perfected as one of his computers.
Christopher Orr Comment Steve JobsName : Christopher Orr / Alias : The Atlantic
A redemptive fable at once artful, elegant, and clean. But by stripping out any and all complications, the movie denies itself the opportunity for nuance and puts a ceiling on its own ambition.
Soren Anderson Comment Steve JobsName : Soren Anderson / Alias : Seattle Times
What raises Steve Jobs way above the level of most biopics is the totality of Fassbender's immersion into the character.
Jesse Hassenger Comment Steve JobsName : Jesse Hassenger / Alias : AV Club
The tension between Boyle's restless energy and Sorkin's tendency to run in place drives the movie.
Calvin Wilson Comment Steve JobsName : Calvin Wilson / Alias : St. Louis Post-Dispatch
As original and risk-taking as its subject, "Steve Jobs" will make you think differently about an American icon.
Rex Reed Comment Steve JobsName : Rex Reed / Alias : New York Observer
Steve Jobs and all of the characters around him fail to come to life in any absorbing fashion. They're not real people; they're all hashtags.
Michael O'Sullivan Comment Steve JobsName : Michael O'Sullivan / Alias : Washington Post
The most fascinating aspect of listening to him talk comes not from what he says about what he did, but how he talks about it.
Roger Ebert Comment Steve JobsName : Roger Ebert / Alias : Chicago Sun-Times
It's a tribute to the singular popularity of Steve Jobs that he's probably the only talking head people would pay to watch for more than an hour.
Kyle Smith Comment Steve JobsName : Kyle Smith / Alias : New York Post
It's a cliche to say that Apple changed the world, but how and why did that happen? "Steve Jobs" is robust and entertaining, but the answer it provides is incomplete.
Colin Covert Comment Steve JobsName : Colin Covert / Alias : Minneapolis Star Tribune
Like Jobs' own legendary "reality distortion field," his near-mystical ability to convince anyone of almost anything, the film lifts us past sheer realism to higher truth.
J. R. Jones Comment Steve JobsName : J. R. Jones / Alias : Chicago Reader
As the title character, Michael Fassbender gets the SOB part down just fine, but there's little evidence of the personal magnetism that enabled Jobs to bend so many people to his will.
Nick Schager Comment Steve JobsName : Nick Schager / Alias : Village Voice
This is a swift and searing attempt to pull back the curtain on Jobs and, in the process, investigate the relationship between the myth and the man.
Justin Chang Comment Steve JobsName : Justin Chang / Alias : Variety
An enthralling performance by Michael Fassbender fuels this brilliant, infuriating and richly unconventional take on the life of an American visionary.
Cary Darling Comment Steve JobsName : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Still, Steve Jobs doesn't dig much beyond the surface of the man in the title. Anyone who wants a fuller story, free from the heavy hand of Sorkin, should seek out Alex Gibney's documentary from earlier this year, Steve Jobs: The Man in the Machine.
Brian Truitt Comment Steve JobsName : Brian Truitt / Alias : USA Today
Steve Jobs is a fascinating study of a man, explaining who he was but never making a judgment about who he is. The movie lets audiences compute that for themselves.
James Berardinelli Comment Steve JobsName : James Berardinelli / Alias : ReelViews
The dialogue crackles with wit, anger, and passion. By matching Sorkin's words with Boyle's style and Fassbender's talent, Steve Jobs has hit the trifecta.
Bill Goodykoontz Comment Steve JobsName : Bill Goodykoontz / Alias : Arizona Republic
The acting is superb, no easy feat when trying to recite Sorkin's words while walking down seemingly endless hallways. Fassbender doesn't look a thing like Jobs and it doesn't matter a bit.
Steven Rea Comment Steve JobsName : Steven Rea / Alias : Philadelphia Inquirer
The acting is unarguably, uniformly strong.
Mick LaSalle Comment Steve JobsName : Mick LaSalle / Alias : San Francisco Chronicle
Boyle films the proceedings on a slightly grainy stock that gives the movie just the hint of a documentary. There's propulsion and energy. He takes Sorkin's script and pumps it with amphetamines.
Bob Mondello Comment Steve JobsName : Bob Mondello / Alias : NPR
The film feels so electric while you're watching, it's hard to believe that after two hours, it doesn't even get to the iPod, let alone the iPhone.
Richard Roeper Comment Steve JobsName : Richard Roeper / Alias : Chicago Sun-Times
Michael Fassbender will be in every best actor conversation from now until Oscar night (and deservedly so) for his mesmerizing turn as the legendary and legendarily difficult visionary Jobs.
Sasha Stone Comment Steve JobsName : Sasha Stone / Alias : TheWrap
It's a high wire act that might leave some feeling left behind. Somehow, though, Boyle pulls it off not by backing off the speechifying but by leaning into it and allowing it to sing.
Peter Howell Comment Steve JobsName : Peter Howell / Alias : Toronto Star
It entertains and enlightens, and it's bang on in showing how great ideas are born not through compromise but through vision and determination.
Ty Burr Comment Steve JobsName : Ty Burr / Alias : Boston Globe
It rings emotionally and dramatically false, too at variance with the actual outsized talents and flaws of this man as they've been obsessively catalogued elsewhere.
Anthony Lane Comment Steve JobsName : Anthony Lane / Alias : New Yorker
What Sorkin and Boyle have to offer is not a warts-and-all portrait but the suggestion that there is something heroic about a wart.
Todd McCarthy Comment Steve JobsName : Todd McCarthy / Alias : Hollywood Reporter
Racing in high gear from start to finish, Danny Boyle's electric direction temperamentally complements Sorkin's highly theatrical three-act study, which might one day be fascinating to experience in a staged setting.
Chris Nashawaty Comment Steve JobsName : Chris Nashawaty / Alias : Entertainment Weekly
As sharp and slick as Steve Jobs is, it ends up feeling more interested in entertainment than enlightenment.
Bruce Kirkland Comment Steve JobsName : Bruce Kirkland / Alias : Toronto Sun
Steve Jobs the man was complicated - and often infuriating to family, friends and colleagues at Apple Inc., the computer company he co-founded. Steve Jobs the film is also complicated - and consistently thrilling.
Tony Hicks Comment Steve JobsName : Tony Hicks / Alias : San Jose Mercury News
Is "Steve Jobs" the final say on Steve Jobs? That's hard to say. But like its subject, it should remain relevant for years to come.
Jake Coyle Comment Steve JobsName : Jake Coyle / Alias : Associated Press
The Full Sorkin Treatment has electrified a well-trod subject. But it also smothers it in artifice.
Dana Stevens Comment Steve JobsName : Dana Stevens / Alias : Slate
It's all too neatly staged to make for dynamic cinema, even if the dialogue does crackle with a delicious nastiness.
Robert Koehler Comment Steve JobsName : Robert Koehler / Alias : Variety
Ultimately the docu shows Jobs, as always, ahead of his time.
Bill Goodykoontz Comment Steve JobsName : Bill Goodykoontz / Alias : Arizona Republic
It's just a static shot, the same angle, one guy talking. But what a guy.
Stephen Whitty Comment Steve JobsName : Stephen Whitty / Alias : Newark Star-Ledger
Can you be a nice guy, and a great man? Steve Jobs is the case in point, and "Steve Jobs" says no.
Alonso Duralde Comment Steve JobsName : Alonso Duralde / Alias : TheWrap
Feels like a series of beautifully and meticulously crafted tiles in a half-finished mosaic; you can admire the pieces but still come away feeling like you've been deprived of the whole.
Barry Hertz Comment Steve JobsName : Barry Hertz / Alias : Globe and Mail
Thanks to Fassbender's revelatory performance, Jobs comes across as a captivating monster, a dictator in a black turtleneck who is impossible to ignore.
Peter Travers Comment Steve JobsName : Peter Travers / Alias : Rolling Stone
Written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed. Fassbender rips through the role of the volcanic Jobs. Is he really that good? Hell, yeah.
Rafer Guzman Comment Steve JobsName : Rafer Guzman / Alias : Newsday
A whirlwind tour through the computer age with a flawed human at its center.
David Ehrlich Comment Steve JobsName : David Ehrlich / Alias : Time Out
Screenwriter Aaron Sorkin, who's written about America's Great Flawed Men with such fire and hyperarticulate pathos that he's threatened to become one himself, outdoes his work on The Social Network with an even sharper and more savage script.
Joe Morgenstern Comment Steve JobsName : Joe Morgenstern / Alias : Wall Street Journal
In many ways the film reflects its hero's brilliance. It's a scintillating construction, though one that sometimes feels like a product launch in its own right.
Rene Rodriguez Comment Steve JobsName : Rene Rodriguez / Alias : Miami Herald
Sorkin's relentless chatter starts to weigh on you: Steve Jobs feels artificial and conceptualized when it should be building to a crescendo.
Isaac Guzman Comment Steve JobsName : Isaac Guzman / Alias : TIME Magazine
What's most difficult about Sorkin's intricate fantasy is not acknowledging Jobs' darkness, but setting aside all hope of seeing the real man who inspired it.
A.O. Scott Comment Steve JobsName : A.O. Scott / Alias : New York Times
It is a formally audacious, intellectually energized entertainment, a powerful challenge to the lazy conventions of Hollywood storytelling and a feast for connoisseurs of contemporary screen acting.
Ann Hornaday Comment Steve JobsName : Ann Hornaday / Alias : Washington Post
With such a tetchy, self-absorbed control freak at its center, it's difficult to explain just why "Steve Jobs" is as entertaining, even pleasurable, as it is.
Alex Pappademas Comment Steve JobsName : Alex Pappademas / Alias : Grantland
Fassbender looks enough like Jobs that it's not distracting, and he finds a voice for the character.
Christy Lemire Comment Steve JobsName : Christy Lemire / Alias : RogerEbert.com
The energy is relentless and the actors all more than meet the challenge of not only keeping up with Sorkin's trademark, rat-a-tat patter but also making it sing.
Andrew O'Hehir Comment Steve JobsName : Andrew O'Hehir / Alias : Salon.com
This is simultaneously Sorkin's most satisfying movie script and Boyle's most graceful work as a director.
Lou Lumenick Comment Steve JobsName : Lou Lumenick / Alias : New York Post
I came away with the feeling that the filmmakers were practically implying that his early death at 56 was some kind of karmic payback.
Jacob Silverman Comment Steve JobsName : Jacob Silverman / Alias : The New Republic
Capably shot, well acted (notwithstanding Kate Winslet's shape-shifting accent), its score propulsive, if a little too insistent, it's a finely crafted piece of work. But as a film, I found it nearly insufferable.


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